Working with colour and light artist Erin O’Conor investigates the interaction of these elements within space in her photography series ‘Empty’. In order to explore these relationships, the artist built a plywood box that she painted and repainted, using a limited palette of simple colors, altering their sequence in the box, while making a photographic record of each combination. Each image contains two colors and one neutral grey.
The color relationships in the photographs exist exclusively in the photograph – they reference the actual spatial condition, but the translation is entirely a product of the camera.
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